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about

For those of us who grew up in the Black (African-American)-like myself as a black man-or Latino (Hispanic) communities here in the 'Murica, in the 'ghetto vernacular" the term "come correct" means just that: to behave decently/do the right thing.

This album is the total opposite of 'coming correct'. I chose the title because it's something I grew up with and still continue to use. Plus, the sounds and themes on this release is the a complete dichotomy and juxtaposition of 'doing the right thing'.

These tracks are will be featured on the upcoming Imploding Sounds #100 Compilation. Check out Imploding Sounds at:

implodingsounds.bandcamp.com

credits

released September 25, 2019

All noises, peculiarity, antipathy, angst, electronics, and whatever I can't think of - Ronin Kilgannon featuring Interloper

Track 2 is a field recording remixed with additional noises and samples added.

Track 3 is the combinations of 6 tracks combined into one-layered, ambient noise track.

Special thanks to Tim Burkland @ Imploding Sounds for his invaluable input, his friendship, the continued support (and vice-versa), and the raw, awesome talent that he is!

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Negative Tilt Records - Die Kilgannon Kunst Kollektiv Seattle, Washington

"Using music as a weapon since 1972."

A label for people who's AGAINST fascism, sexism, homophobia, transohobia, racism, misogyny, and socioeconomic oppression.

For music submissions, sarcasm, and backhanded compliments, send your sardonic emails to:
abrasivetechnologiesbandcamp@gmail.com
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